U kan help them too

by Marlen Rodriguez-Wolfe, M.M.

Part of the ‘Ukuleles for Ukraine campaign, the UKC seeks to help
children and teens impacted by the war.

The ‘Ukulele Kids Club (UKC), a music non-profit from the United States, has always believed in music’s ability to bring comfort and hope during difficult times. The recent events in Ukraine have motivated them to expand their mission to reach children impacted by the war. The UKC is rallying the music community around their ‘Ukulele. Ukraine. U Kan.’ campaign with the message that music can heal the wounds of war and an instrument for children to keep is a gift for wellness and for life.

Since February 2022, millions of people have crossed Ukraine’s borders seeking refuge from the war, in what the United Nations calls “the biggest refugee crisis in Europe since World War II.” The majority of those seeking shelter are women and children. At the same time, some Ukrainian families who have remained in their homes also require psychosocial and emotional support. The Ukulele Kids Club has partnered with the World Federation of Music Therapy to identify music therapists working with refugee kids abroad and those still in Ukraine, with the idea that music and ukuleles can provide much-needed support.

“Children exposed to war and conflict are at heightened risk for mental health issues including depression, anxiety, and posttraumatic stress disorder (PTSD),” said Marlén Rodriguez-Wolfe, a music therapist and CEO of Ukulele Kids Club. “But as music therapists, we know that music can facilitate healthy coping strategies, help manage anxiety and provide a sense of comfort during difficult times.”

Music Therapy is the clinical use of music interventions that achieve physical and mental health goals delivered by a trained clinician. Music therapy is applied in migrant care in countries known for receiving a large influx of refugees, such as Colombia, Germany, Poland, and Turkey. In these settings, music therapists apply a combination of music-making activities and therapeutic interventions to help refugee children and adults experiencing health benefits from music and support their transition or acclimation to a new environment. But Ukrainian children are showing up in programs all across Europe, from hospitals to community settings, one of which is through the Grieg Academy in Bergen, Norway.

This music therapy program is held in a public school, where hundreds of Ukrainian refugee children receive their schooling. “All of them are newly arrived refugees. They have all come with their siblings and mothers, as their fathers are required in the military forces in Ukraine. The families experience quite large amounts of stress, both due to the war-experience, as well as resettlement stress.” said Kaja Enge, Music Therapist at the school. “Our experience so far is that the children really want to play music, and use the opportunity to express and experience support and community in music. Many want to bring instruments home after school, as they are lacking opportunities for musical engagement in their leisure time.”

For children and teens living with heightened stress and uncertainty related to the Ukraine war, the ‘ukulele becomes a way to gain a sense of control over their environment and wellbeing. Additionally, making music allows them to engage in an activity that promotes self-expression and connection to their community. “Thanks to the ukuleles, a group of students (or technically just one ‘ukulele star, Ylva!) was able to throw together a 2-week program open to Ukrainian & Norwegian students, aimed at integration through musicking. As far as I know, there haven’t been many other attempts to integrate students, as well as address therapeutic goals of mastery, empowerment, and community building.” said Julie Liisberg, Music Therapist.

For other families, resettling into a new country comes with its own sets of challenges. “We are getting reports from our partner hospitals in the UK that they are also working with Ukrainian families who have received medical diagnoses during their asylum period” said Rodriguez-Wolfe of UKC. The Ukulele Kids Club supports over 300 music therapy programs around the world, arond 90% of those are hospital-based. Therefore, they are adept at understanding how music makes a difference for medically fragile kids. “Fleeing a war-torn country is stressful enough. To then receive a diagnosis for your child while having to coordinate care, makes the situation for these families more complex and difficult. But we know music therapy helps, and the ‘ukulele is a perfect companion for these hard times”.

You may be thinking “Well, how can I help?” Join the U Kan Challenge! Helping get ukuleles to these Ukrainian kids in need. By making a donation on the campaign website and challenging others to do the same, you will be helping the UKC send the instrument we all love to kids and families who really need music right now. To learn more and support Ukrainian kids please visit www.ukulelesforukraine.com

Newbie perspective of GNUF (great Northern Ukulele Festival)

by Justilele

Like many, I set out on my ukulele journey during lockdown back in April 2020, which feels like a lifetime ago. Venturing out with my uke has been one of the best reasons to leave the enforced comfort of home and get back out there with the rest of the world. Where better to start than the Grand Northern Ukulele Festival (or GNUF to its friends), based in beautiful Yorkshire, UK?

Fellow Ukelandian Bethany (@guardianioftheuke) first brought GNUF to my attention. I instantly thought this must be quite a festival if it is known by this wonderful Ukulele lady in America. GNUF did not disappoint!

We arrived on Thursday, ready for Friday morning’s workshops. When I say we, I’m part of the Ukulele Project (running the South East division), so I was at GNUF meeting the other project founders face to face for the first time since Tara (London Ukulele Project) brought us all together. But that’s a whole other story!

I hadn’t booked any workshops as I didn’t want to be restricted with being anywhere for a certain time for my first experience. So, while my Ukulele Project friends attended some awesome workshops, I wandered the streets of Huddersfield seeking fellow ukulele folk. All seemed quiet, so I went to the pub (a safe bet). The Head of Steam by the railway station was where I found them! There were pockets of people around the pub, jamming and chatting. I met a lady called Jennifer who had come alone from America just for GNUF, so come on, Bethany! Whether you were by yourself or part of a group, if you had a ukulele with you, you were not alone and everyone was very welcoming.

Things seemed to really kick off later in the day as people poured into the pub and the jams got louder. (It might have had something to do with the pub offering a discount if you showed them your uke!) Later I was stunned to realise I had been casually jamming with some of the main stage acts. How friendly and down to earth are these awesome ukulele people? I noticed how well they engaged the room, shouting out the chords etc. and then the penny dropped when I saw them performing on the main stage at the theatre the next day! At GNUF you can be chatting and jamming with people one moment, and the next watching them shred it on stage supporting Jake or Taimane.

GNUF is spread out across around five intimate venues, so as a first-timer it took a while to get my bearings, but simply finding a person with a ukulele never failed me! One of the things I love about GNUF is the fact you can only buy a weekend ticket, meaning you could completely indulge in everything ukulele to your heart’s content. GNUF is volunteer led, with many performers giving their time at the merch stand or running jams and open mics, which contributes to the lovely ethos of the weekend.

GNUF has big names, but also offers opportunities to join impromptu jams or open mics. There was a more formal Open Mic stage outside in a courtyard by the theatre (which you had to sign up to in advance) which was fantastic to see new acts perform and also paved the way for newbies like me. So, on the Sunday I did some songs there with the Ukulele Project team, which was a terrifying delight!

I particularly enjoyed meeting players outside of the Instagram and Facebook communities (which is where I’ve spent nearly all my time). It was great to make those connections beyond the social media world, and to hear songs more than sixty seconds long!

On Sunday, the Ukulele Projects (London, Scotland, Wales, East Midlands, South East) were lucky to have a stand right by the main stage promoting our not-for-profit, where we use music to tackle loneliness and promote well-being. Through this, I got the chance to chat to Jake Shimabukuro and also Taimane (yes, I said chat, not just selfies!). All the acts at GNUF welcome fans to come and meet them throughout the weekend, but without even meeting both ukulele virtuosos, my first time at GNUF would have been incredible with the amazing array of talented performers and friendly ukulele lovers from around the world. This combined with fabulously intimate venues and plenty of audience participation throughout, ticked all the ukulele festival boxes that I didn’t know I had!

Obviously, I am biased with limited ukulele festival experience and I haven’t (yet!) visited any ukulele festivals abroad, but in the meantime I can’t wait to get back to GNUF for a second time. I wonder what next year’s GNUF will have in store for us, and whether I’ll get to jam with any of you?

Despite many of us learning in lockdown or only ever playing alone at home, the ukulele is a sociable instrument. Connecting via online forums such as our awesome Ukelandia, seeing performances and having real life ukulele strum-alongs such as those at GNUF, I’ve always felt part of something bigger. Attending my first uke festival has shown me what I already knew, which is that the ukulele community really is the friendliest and best in the world!